Every being has the right to a dignified name. Every human has the right to choose a name and an identity for himself, herself, themself. JD
Black Cap Jazz Singer
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Tag Archives: photography
Wood Hex
Peacock Butterfly on Black-eyed Susans
Kushiro Shitsugen National Park, Hokkaido, Japan, July 29, 2018
Wherever you are, we hope your day is going well!
Ursus Arctos… In a Bamboo Forest?
Ursus Arctos is a holarctic species represented by several subspecies throughout the Northern Hemisphere including the Grizzlies of the North America West (U. a. horribilis), the massive Coastal Brown Bears of Kodiak Island Alaska (U. a. middendorffi), the equally impressive Chignik (Alaska Peninsula) bears (U. a. gyas) and various additional species scattered from the harsh Gobi Desert to Siberia, the Italian Alps and other regions. Adapted to a variety of climates and diets, physiologically Ursus arctos is the most varied of all bear species.
The Brown Bears we encountered in Hokkaido, U. a. yesoensis, are similar in appearance to the Coastal Brown Bears of Kodiak Island and the Alaska Peninsula which makes sense as, like their Alaskan cousins, Hokkaido’s Brownies subsist on a salmon-rich diet. But at an average weight of only about 450 pounds – large males topping off at under 700 pounds -, Hokkaido’s bears are small compared to those found in Alaska; Chignik and Kodiak bears can reach weights of well over half a ton.
Still, bears are bears and regardless of size, they can be fierce. Approximately 12,000 Brown Bears inhabit Hokkaido, a land area about the size of the state of South Carolina or the country of Austria and home to just over five million people. There have been 57 human deaths attributed to Hokkaido’s Brown Bears over the past 61 years. When the sow in the above photo cautiously emerged from the forest and woofed for her two cubs to follow her across the steep road we were pushing our bicycles up, we gave her the right of way.
The rugged, forested 470 square mile Shiretoko Peninsula where we encountered these and several other bears as well as Blakiston’s Fish Owls, Ezo Red Foxes, Sika Deer, Dall’s Porpoises, eagles and other birds is a UNESCO World Heritage Site.
The World’s Largest Owl is a Piscivore
Shiretoko Peninsula, Hokkaido, Japan, July 23, 2018
With a wingspan ranging from about 5′ 10″ to 6′ 3″ (170 – 190 cm), Blakiston’s Fish Owls are generally regarded as the world’s largest living species of owl. The photograph above is of one of a known wild pair which have been banded. The owls regularly visit a small stream where a pool has been created with natural rocks and is regularly stocked with Cherry Trout (sakuramasu, O. masau). A small inn with windows overlooking the pool provides guests with opportunities for a glimpse of this rare species which may visit the pool at any time during the night. The indigenous people of Hokkaido, the Ainu, regarded these great owls as spiritual protectors of their villages.
Eureka!
Hokkaido, Japan, July 16, 2018
The summer I turned nine I encountered my very first Japanese glass fishing floats. I was in Oregon, and in addition to populating gift shops and restaurant decor, back then these mystical treasures still occasionally washed up on Oregon’s beaches, particularly after big winter storms. That summer I concluded my 13th consecutive reading of Call of the Wild, and Treasure Island and Robinson Crusoe were still fresh. My mind was filled with dreams of faraway lands. The floats, hand blown by craftsmen, fragile, beautiful, traveling across the vast Pacific over decades and thus providing a link not only with the exotic country of Japan but also with ships and fishermen and a culture of yore were utterly captivating.
Over the years, we’ve been gifted a collection of these floats from friends lucky enough to have lived along one of the few beaches where they still wash up. The gifts are appreciated… but it’s not the same as finding one myself. From California to Alaska, in all the years since that Oregon summer I’ve never visited a beach without harboring vague hopes of finding one.
Somewhere past the town of Shari (斜里町) as we approached the Shiretoko Peninsula, we stopped at a beach to have our breakfast and watch sport fishermen cast into the surf for Cherry Salmon.
Barbra found the first one. My stomach turned a little… conflicted. Happy for her find, but disappointed that it hadn’t been me. But where there’s one… maybe… Planting my feet where she found that first float, I scanned every inch of the beach through binoculars. And then, without a word, I handed the binoculars to Barbra and took off, running with all the joy of a young boy turning nine.
He Ain’t Comin’
I made this image from a picture I took at Mokoto Train Station in Hokkaido when I looked up into a mirror above the waiting platform and saw Barbra there looking at her phone. There’s something about the scene – populated with houses and rail, and yet eerily empty – and Barbra, alone, looking at her phone -, that seemed to imply something universal about loneliness and the fine line between expectation and disappointment. Compositionally, the frame within the frame here appeals to me… as do… exotic elements such as Barbra’s bright red hair, Japanese writing and the ambiguity suggested by rail that appears to be rusted and perhaps no longer in use.
I am happy to acknowledge the influences of others… here a nod to Stefanie Schneider and her Instant Dreams series, which I invite readers to check out on Instagram or elsewhere. I’m not sure that there isn’t a hint of the old Twilight Zone TV series in this image as well… I think virtually all of us of a certain generation carry within our psyches some lingering effect of Rod Serling’s creation.
Speaking of which… as I attempt to build more exposure for my own work, I’ve been regularly posting on instagram. At some point, I intend to build a website dedicated to photography. Until then, Instagram is a good place to see photographs in one place without needing to click around a lot. If you’re interested, here’s the link: jackdonachy. Be sure to leave a “like” if you like what you see. Thanks!
The Land of Totoro
Rishiri Island, Hokkaido, Japan, June 29, 2018
Rishiri-to (Rishiri Island), was one of four small islands we ferried to during our Hokkaido trek. Each of these islands offered beautiful, inexpensive campgrounds, and except for one night, we had the grounds to ourselves. One of my personal objectives during the trek was to have Babra experience authentic Japanese tempura. In a small shop run by an elderly couple on Rishiri-to, we found The Best fare of that kind I’ve ever had. 凡天 (Bonten) may or may not still exist as we found it six years ago; the couple was advanced in years, the shop was small, unassuming and might easily be overlooked. But among other dishes we sampled was tempura uni – sea urchin battered and fried to perfection tempura-style. Like the other three islands we visited, a road lacing along the coastline made bicycling a complete circumference (30-some miles in the case of Rishiri) enjoyable. Lots of birds, flowers, fresh air… and a couple of Totoro sightings!
Skiff full of Floats, Yagashiri Island
With the exception of a very few tennis-ball-sized glass floats used in skates set for Olive Flounder (hirame, 平目, ヒラメ), glass fishing floats are artifacts of yesteryear. Broken free from lines and nets perhaps decades ago, they still wash up on North American beaches, especially in parts of Alaska. We came across some beautiful collections during our Hokkaido trek. Here a loaded skiff on Yagashiri Island.
Teuri Campground… and a note on AI Lens Blur
Teuri Island, Hokkaido Japan, June 21, 2018
Clean restrooms close by (to answer the first question on the minds of most casual campers), good clean drinking water, quiet, and the entire grounds to ourselves. I don’t imagine that the camping situation has changed much since we visited Hokkaido in 2018. Traveling to Teuri with our bicycles was easy via the ferry from Haboro on Hokkaido’s west coast. We only spent two days on Teuri, but agreed we could easily have enjoyed a week on this small, bird-rich island.
Scrolling down panels in lightroom as I brought up the above photograph, I decided to give a relatively new feature a try: Lens Blur. With a single click, this AI-driven feature isolated what it interpreted to be the subject and foreground and then blurred (decreased the clarity) of the background. It worked well – which is to say, I liked the result.
To be sure, a more competent photographer equipped with the right lens could easily have achieved similar results in-camera. But six years ago when I captured this image, I was a less competent photographer. Less competent not only from a technical standpoint, but also my eye was less well developed, and so I didn’t always appreciate the pleasing effect a bokehed background could add to a photograph.
While I could have used masks and clarity sliders to isolate the subject and achieve the same effect, this Lens Blur feature significantly speeded up the process. So…
I might have more to say about AI technology in future posts. It’s here, part of our world now. Lots to think about. JD
CutterLight 