This November 19, 2011 sunset looking out over a Chukchi Sea nearly frozen solid reminded us of a Mark Rothko painting. The quality of light in the far north is often breathtaking.
What a wonderful talent – that can create an entire Spring
from a brush and a sheet of paper. If he would try poetry
I know he would be a master…
Su Tung P’o – On a Painting by Wang the Clerk of Yeng Ling, c. 1080
Also known as Su Shi, Su Tung P’o (1037-1101) was a Song Dynasty writer, calligrapher, painter, poet, statesman and noted gourmet. The dish “dungpo pork” is named for him.
*Bokeh (暈け / ボケ) is a Japanese term meaning blur that began to gain popularity in American photography circles in the late 1990s.
The only friend to walk with is one… who so exactly shares your taste
for each mood of the countryside that a glance, a halt, or at most a
nudge, is enough to assure that the pleasure is shared.
C. S. Lewis – from Surprised by Joy, 1955
Clive Staples Lewis (1898-1963), known as Jack, considered his last novel, Till We have Faces, to be his most mature and masterly work though it did not achieve commercial success.
*As is true of many Japanese words added to English, the pronunciation of “bokeh” is not always consistent with the original Japanese. This bothers some a lot, others a little and still others not at all. Many English speakers pronounce the word “boh-kuh” to rhyme with chocolate “mocha.” However, in Japanese the first syllable in bokeh is pronounced with the “o” in hope and the second syllable is pronounced with a clipped (shortened) long “a” approximately between the ke in kettle and the kay in the name Kay. Almost like the word “bouquet:” long “o” and long “a,” but with the vowels clipped short and neither syllable accented.
I didn’t even own a camera at the time, but as I admired a photograph of a Bighorn Sheep in a national magazine featuring animals of the Rocky Mountains, I knew that if and when I ever did get a camera, high on my list of hoped for captures would be that iconic orange eye. And while I have yet to score a great shot of a mature male with a heavy, curling rack, one of the keys – perhaps the key as I evaluate much of my wildlife photography is the quality of the eye in the photo.
A sharp, clear eye showing a little color and reflecting catchlight can make or break a wildlife portrait. So once I have a decent photographic record of a given species, I start working to get an eye-catching eye.
Even in low light, you can usually find an angle where some light is reflected in the animal’s eyes. This might mean waiting for the animal to change its position, or it might mean changing your own position. The other key is to not focus on the animal, but on the eye of the animal.
Just as with portraits of humans, the eyes are critical to animal portraits. Here in Chignik Lake, several foxes regularly visited the village this past winter. Each was unique – not just in size, coat color and facial markings, but in personality as well. As we studied these foxes, we gave them names. Skit, a young fox who was a frequent visitor to the White Spruce Grove that we check daily for birds and other wildlife, had a tough go of it during this especially harsh winter. An injury to his right eye no doubt impeded his ability to hunt as well as to guard against adversaries. There were times when he looked like he might be nearing his last leg.
Despite hardships, he seemed to exude a puppyish curiosity and resilience. And somehow he managed to scrape through. When we last saw him a couple of weeks ago, his coat looked healthier than it had since the beginning of winter and his eye appeared to have healed.
As visual creatures, we’re drawn to eyes, even ascribing spiritual qualities to them. Glint and shine and rich, saturated iris colors suggest to us intelligence and vitality, traits that in turn give a subject charisma.
While catchlight can be added through the magic of digital technology, the more satisfying – and realistic-looking – achievement is to capture it as you’re making the picture. Watch the light and look for it reflected in your subject’s eyes. A little shimmer can really make a photo pop!
Abstract #4: Parallel Worlds – Among new projects in 2017 is a commitment to taking on the “Weekly Photo Assignment” challenge at Outdoor Photographer magazine. The first new assignment for 2017 was Winter Macro.
Abstract #4: Fracture – For the first time in perhaps five years, our lake, Chignik Lake, has frozen solid. The first day it was reasonably safe to walk on the ice, it was incredibly clear.
Abstract #9: Galaxy – As I walked around scanning the bottom for fish and aquatic insects, here and there I noticed bubbles trapped in the clear ice.
Next Thursday: Winter Landscape in Black and White