Merlin at Sitka Spruce Grove, Chignik Files #8: How important is “Tack Sharp” in Photography?

Spruce Grove HunterAugust 19, 2016, Chignik Lake, Alaska

Fairly new to photography when I got the above capture of a Merlin strafing songbirds at the spruce grove in Chignik Lake, I was somewhat frustrated with my inability to get the bird “tack sharp.” I was shooting with a 200-400 mm telephoto lens at the time, to which I often affixed either a 1.4 mm or 2.0 mm teleconverter, and simply didn’t have the skills to follow North America’s second smallest falcon as it zipped around the grove at breakneck speeds in pursuit of warblers migrating south in late summer. So I climbed a small rise that put me eye level with the upper branches of the trees, chose a section that was well enough lighted, focused on a group of cones, and waited and hoped for the little falcon to enter the scene. The bird obliged, I snapped the shutter, and at least came away with what I would imagine is the only photographic documentation of Falco columbarius in the Chignik Drainage. The species had been documented there… but I think not photographed.

However, before much time passed the photograph began to grow on me. In fact, I actually began to like it. The bird is clear enough to easily identify as a merlin, and I began to appreciate that the blur, while not depicting the bird itself as clearly as I had originally hoped, captures something else: the story of the falcon’s incredible speed and maneuverability as it circled the grove. Had I been able to make a sharp, clean capture of the bird, as I swung the lens to keep up with the falcon the trees would have become a blur. But the Sitka Spruce grove, a copse of 20 trees transplanted from Kodiak Island in the 1950’s when Chignik Lake was first permanently settled, is central to the story here. I love the way the lush green trees draped with new cones anchors this photograph, thereby helping to create a fuller story.

These days, the incredible capabilities of modern lenses paired with technologically advanced cameras have created a push… a demand, actually… for ever sharper images. This has become particularly so in the field of wildlife photography. But it seems to me that sometimes… perhaps often… this insistence on “tack sharp” (and perfectly colored) images of wildlife has come at the expense of the overarching story behind the image.

Over the next several years photographing bears and birds, fish and flowers, landscapes and life at Chignik Lake, as I gradually came to understand more about photography, I returned to the above photograph many times, mulling, contemplating, turning it over in my mind. We already know, in great, tack-sharp detail, what all of North America’s birds and mammals look like. There are thousands of beautiful photographs of just about every species… in some cases perhaps millions of such images. So, how does one employ a camera to go beyond documentation, to tell a larger story? For me, the beginning of the answer to that question started with Spruce Grove Hunter.

Frost Fox – of the Chignik Lake Foxes

FrostOur first year at The Lake, we got to know seven different Red Foxes well enough to name them. Each had different facial features and individual personalities. Here is Frost, named for her whitish face and brightness of the white parts of her coat and tail. It’s often difficult to distinguish sexes in foxes, especially during the winter season when their coats are full, but we referred to Frost as “she.” Of the seven foxes, she was the smallest, perhaps in her first year, and the most likely to bark at other foxes, or for attention from us. I made this portrait a little after sunset on December 31, 2016.

Back in the Day: Wooden Salmon Seiner, Chignik River (and a note on the perils of passing up photographs)

Back in the DaySalmon Seiner from the wooden boat era in the Chigniks
Chignik River, September 23, 2016

Concurrent with publishing this photo, I’m putting out a request on other social media asking my Chignik friends for more information on this vessel. I don’t know a lot about boats, but I’m fairly certain that this is a salmon seiner, perhaps built sometime in the 1940’s or 1950’s. It was aground, as you see here, about two miles up from the salt chuck when I noticed it tucked into the back of a wide river cove accessible only on high tides. The tide was out, the person whose skiff I was riding in was in a hurry to get down to Chignik Bay, so I settled for this passing shot. I always intended to go back and get additional photographs, but it never worked out. Years later, I saw what appeared to be the same vessel on a beach at Chignik Bay – perhaps towed there by someone who valued its history.

The lesson here, such as a lesson exists, is to be careful… mindful… about passing up shots – even if the composition is imperfect. No doubt every serious photography has in their memory banks a list of pictures that they passed on and later came to regret not getting. You arrive at a new locale, note a species of bird that is new to you, assume that they must be abundant there, pass on the shot and never see another bird like it. You keep telling yourself you’ll make a portrait of that special friend – and never create the right moment. Or you tell yourself that you’ll come back to make a photo of the stunning landscape before you. But way leads to way and you never return.

While no one can get every shot they’re presented with, some of the ones we pass on haunt us. They become very much like those big fish that got away, growing larger over time… until all those photos and fish meld into a single image of a monster of a Japanese Sea Bass emerging from the surf, shaking her massive head, and then dark tunnel vision as the white jig breaks free from her jaws and comes springing back through the air as your knees turn to rubber – that Sea Bass my own personal metaphor for In my life as a photographer: a rare Spotted Redshanks flitting around me as I cast flies to Chignik River Salmon, assuming the bird to be more common than it is; a Parasitic Jaeger stuffed so full of fish it could barely fly perched near me on shore the first time I hiked out to Tikigaq Point, again, making the assumption that this would be a regular occurrence I’d have other opportunities to capture; portraits of my friends and neighbors at The Lake… the “some other day” I was going to photograph them never arriving.

So, imperfect as this photograph is, I’m glad I got it when I had the opportunity. A boat like this will never again be seen on the Chignik.

I’ll update this post if I discover additional information.

Happy 2024 to our Readers around the World!

Van Gogh and company at Cutterlight wish our readers a Happy New Year and all the Best in 2024!

If you’re reading this, you are among more than six thousands subscribers and countless additional readers who have popped in at one time or another over the years from virtually every country on the planet. We truly appreciate it! Thanks! Barbra and I wish you and yours all the best in 2024. Van Gogh? An old friend from Chignik Lake.
 - Jack & Barbra Donachy, Cordova, Alaska

The Alaskan Hotel & Bar, Cordova, Alaska

Christmas night photograph of the iconic Alaskan Hotel & Bar on Main Street, Cordova.
The Alaskan Hotel & BarOpened on September 16, 1913. Iconic Alaska. Main Street, Cordova, Alaska. December 25, 2023

Coming Back Into the Light and Fire Making

My love of fire and firelight goes back as far as I can remember. At a young age, I was shown the trick of how to safely pass my fingers through the white of candle light. Later, I learned how to squeeze orange oil from peels onto candle flames to make sparkling sprays of orange-scented light. Learning how to build and tend a fire in our home fireplace followed naturally from those early lessons. 

On a December night that could scarcely have been more perfect, I was reminded of these and other happy fire-connected memories as I tended our celebratory solstice spiral fire. Just as we finished setting up the spiral, full darkness descended beneath a cloud-filled sky. As we huddled near the center fire, our breath came out in thick clouds and distant Christmas lights illuminated the far shore of Eyak Lake. A street light flicked on and large snowflakes began to fall in dense, fluffy flurries. The street lamp created magical beams of light that cut through the tall spruce and hemlock forest surrounding the luminaria spiral. I found myself encircled in magic while performing what is probably my favorite job – tending a fire. 

I spent many of my growing-up years in California. In sort of a funny irony, the house I lived in had a big fireplace. Of course, as a Californian, once the temperature hit 50° F, it was time to warm up the “chilly” house with a cozy fire. As most of the heat was drawn up the chimney, maybe a fireplace was a perfect adornment to a California home. I spent many winter days and nights close to that fireplace – basking in the warmth and staring into the coals as they assumed ever-changing shapes and fueled fiery imaginary scenes. I had been taught how to build and tend the fire, and so was allowed to stoke and feed it without supervision. There was always something so magical in this activity that I never tired of it. 

This pyrofascination continued into my adulthood. I think my prowess in fire tending might have been a selling point to Jack. One of our first adventures together was a camping trip up the West Coast. Looking back, I now believe that the trip was a test. We set up camp the first night. Like a well-choreographed dance, we seamlessly set up the tent together, after which we divided the camp tasks. Jack set up the camp kitchen while I went about making a fire inside a rock-lined circle. I quickly created a small kindling pile topped with a teepee of larger wood. In no time, I had a roaring fire going. Jack was pleasantly surprised. Test passed with flying colors!

It’s been almost fourteen years in Alaska now. Life here has given me an appreciation of the loss and gain of sunlight as the months come and go that I never had in California. When we lived above the Arctic Circle in Point Hope, after Winter Solstice, once the sun again showed above the horizon in early January, we gained an incredible six minutes of sunlight every day. It was as though the sun was racing toward us. By mid-March, we had gone from the total dark of early January to nearly 12 hours of daylight; by late June, the sun never left the sky. In the different places of Alaska we’ve lived, of course, the increase of daylight hours came at different paces. But it is universally true that summer days are long and winters are dark. Regardless of the pace at which the sun returns after solstice, just knowing that daylight is now increasing adds an extra spark of happiness to each day. 

We wish you, our readers, many sparks of happiness as we are coming back into long light-filled days. Happy winter solstice!

To All Our Readers Near and Far, Merry Christmas!

Our Christmas at The Lake. Thank You for Reading. Fill the day with love.
Jack & Barbra

Fireweed in Rain: a Summer Calendar – Chignik Lake Files

Fireweed, Our Summer Calendar. (Autumn Soon). We arrived at The Lake for the first time on August 1, 2016. The next few days were devoted to unpacking. Most of the Fireweed blossoms had become the thin reddish-green seed pods you see below the last of the flowers clinging to the tops of stalks. August 5 when I made this, our first photograph at The Lake. Autumn soon.

View from our First Place: Chignik Lake Files

Fuchsia-colored Fireweed blossoms near the very tops of their stalks, leaves coloring with autumn, mark the calendar at mid to late August at The Lake. Initially, we attempted to save a little money by cramming ourselves into a one-bedroom apartment but soon found we were spilling out of that and moved into a larger two-bedroom place. But this was the view from that first place, looking down the lake toward the beginning of Chignik River. Maybe 60 people living in the village at the time, Sockeyes still running strong, the first Silvers beginning to trickle in. Bears on the beach nearly every day. Still, in mid-August, 15 hours of daylight. It was glorious. Our back yard. Home. 8/15/16

Water Pump: The Alaska-Canada Highway

Water Pump, British Columbia, 7/9/12

We’ve made the drive up or down the Alaska-Canada Highway (The Al-Can) six times along various routes. At times, it can seem like a journey into the past, especially once you get north of the U.S. border. Wildlife viewing can be astonishing. On one trip we counted over 30 bears. Owls and other birds of prey, elk, deer, moose, coyotes, foxes, both grizzly and black bears (sometimes with cubs) and bison are all likely encounters, and although we’ve never seen wolves, we’ve heard their wild howls from our camp. There’s good fishing, too, if you’ve got the time and can suss it out. More unusual are the old-fashioned gas pumps you might still encounter – the kind with the glass bubble on top. And once you clear Vancouver, everything slows down. People have time to talk, and are happy to do so. Campgrounds are spare but well-maintained, and there are plenty of places where you can simply pull over and spend the night. From late spring through mid-summer, the further north you travel the longer the days become till by the time you reach Alaska nighttime has all but disappeared.

Go. If you’ve never made the drive, set aside the time, make a budget and go. The Al-can is surely one of the world’s greatest behind-the-wheel adventures.